The Singer, 2017
Eduardo Ungar’s work is about the heartbeat of the city. His works capture the city’s spirit
through its people — a waiter leaning in, a singer mid-note, friends in quiet conversation. He
paints with empathy, revealing not just faces but the emotions and connections behind them.
Eduardo translates the city’s everyday scenes into vibrant, empathic storytelling. His
canvases are full of life: the tilt of a waiter’s head as he impatiently waits for a customer to
order; the closeness of friends leaning toward each other in conversation; the glow of a
stage light on a beloved singer’s face.
Each artwork provides a sense of the personalities of the artist’s characters, their moods and even their private thoughts. It’s as if Eduardo is saying, “Here, meet my Buenos Aires. These are its people, its moments, its heartbeats.”
Eduardo is a troubadour of urban life, singing a visual song of a city he knows like no other.
His Buenos Aires is not cynical or harsh, but warm, spirited, and endlessly alive.
Eduardo’s heritage is as diverse as the city he paints — threads of Russia, Ukraine, Spain,
Scandinavia, and Italy woven together — yet his artistic voice is purely his own. And with his
ability to work on large canvases and produce new works with remarkable speed, his art
continues to flow as vibrantly as the streets that inspire him.
Every Ungar painting is a doorway — step through, and you’ll find yourself in Buenos Aires,
hearing the clink of coffee cups, the rustle of dresses, the laughter at the next table. You’ll
walk away not just having seen the city, but having felt it.
through its people — a waiter leaning in, a singer mid-note, friends in quiet conversation. He
paints with empathy, revealing not just faces but the emotions and connections behind them.
Eduardo translates the city’s everyday scenes into vibrant, empathic storytelling. His
canvases are full of life: the tilt of a waiter’s head as he impatiently waits for a customer to
order; the closeness of friends leaning toward each other in conversation; the glow of a
stage light on a beloved singer’s face.
Each artwork provides a sense of the personalities of the artist’s characters, their moods and even their private thoughts. It’s as if Eduardo is saying, “Here, meet my Buenos Aires. These are its people, its moments, its heartbeats.”
Eduardo is a troubadour of urban life, singing a visual song of a city he knows like no other.
His Buenos Aires is not cynical or harsh, but warm, spirited, and endlessly alive.
Eduardo’s heritage is as diverse as the city he paints — threads of Russia, Ukraine, Spain,
Scandinavia, and Italy woven together — yet his artistic voice is purely his own. And with his
ability to work on large canvases and produce new works with remarkable speed, his art
continues to flow as vibrantly as the streets that inspire him.
Every Ungar painting is a doorway — step through, and you’ll find yourself in Buenos Aires,
hearing the clink of coffee cups, the rustle of dresses, the laughter at the next table. You’ll
walk away not just having seen the city, but having felt it.